Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Crocodilus mississipiensis Daudin, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Mustela putorius, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Talpa europea, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Spalax leucodon, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Lepus europaeus, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Erinaceus europaeus, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Mustela nivalis, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Sciurus vulgaris, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Falco columbarius, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Martes foina, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Vulpes vulpes, 2016

AnimaliaVariabilis-leiras-web.jpg
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
Animalia Variabilis
AnimaliaVariabilis-leiras-web.jpg
Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Crocodilus mississipiensis Daudin, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Mustela putorius, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Talpa europea, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Spalax leucodon, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Lepus europaeus, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Erinaceus europaeus, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Mustela nivalis, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Sciurus vulgaris, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Falco columbarius, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Martes foina, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Meles meles, 2016

Animalia Variabilis

The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.

 

 

Projections/Vulpes vulpes, 2016

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