The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Crocodilus mississipiensis Daudin, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Mustela putorius, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Talpa europea, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Spalax leucodon, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Lepus europaeus, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Erinaceus europaeus, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Mustela nivalis, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Meles meles, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Sciurus vulgaris, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Falco columbarius, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Meles meles, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Martes foina, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Meles meles, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Meles meles, 2016
The series was ispired by genetic mutations: how can DNA code trans- formation deform living creatures. To visualize this process I used stuffed animals exposed with the help of a scanner. By using this tech- nique the animals are put in a picturesque lighting, which makes them seem alive. Due to the long exposure processing, fine visual glitches appear on the bodies, considered as a possible visual interpretation of genetic mutations. The specks of dust around the bodies are the dust of the living material of the creatures, and as such carry the entire ge- netic material.
Projections/Vulpes vulpes, 2016
